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What this is

A bunch of miscellaneous CSS 'improvements' that I, Croquembouche, use on a bunch of pages because I think it makes them easier to deal with.

The changes this component makes are bunch of really trivial modifications to ease the writing experience and to make documenting components/themes a bit easier (which I do a lot). It doesn't change anything about the page visually for the reader — the changes are for the writer.

I wouldn't expect translations of articles that use this component to also use this component, unless the translator likes it and would want to use it anyway.

This component probably won't conflict with other components or themes, and even if it does, it probably won't matter too much.

Usage

On any wiki:

[[include :scp-wiki:component:croqstyle]]

This component is designed to be used on other components. When using on another component, be sure to add this inside the component's [[iftags]] block, so that users of your component are not forced into also using Croqstyle.

Related components

Other personal styling components (which change just a couple things):

• RSO Component — Rounderhouse

Personal styling themes (which are visual overhauls):

• Magnus Web Format — DrMagnus
• Flopstyle CSS — Lt Flops
• Blankstyle CSS — HarryBlank
• Placestyle CSS — Placeholder McD
• Jakstyle — JakdragonX

CSS changes

Reasonably-sized footnotes

Stops footnotes from being a million miles wide, so that you can actually read them.

.hovertip { max-width: 400px; }

Monospace edit/code

Makes the edit textbox monospace, and also changes all monospace text to Fira Code, the obviously superior monospace font.

@import url('https://fonts.googleapis.com/css2?family=Fira+Code:wght@400;700&display=swap');
 
:root { --mono-font: "Fira Code", Cousine, monospace; }
#edit-page-textarea, .code pre, .code p, .code, tt, .page-source { font-family: var(--mono-font); }
.code pre * { white-space: pre; }
.code *, .pre * { font-feature-settings: unset; }

Teletype backgrounds

Adds a light grey background to <tt> elements ({{text}}), so code snippets stand out more.

tt {
  background-color: var(--swatch-something-bhl-idk-will-fix-later, #f4f4f4);
  font-size: 85%;
  padding: 0.2em 0.4em;
  margin: 0;
  border-radius: 6px;
}

No more bigfaces

Stops big pictures from appearing when you hover over someone's avatar image, because they're stupid and really annoying and you can just click on them if you want to see the big version.

.avatar-hover { display: none !important; }

Breaky breaky

Any text inside a div with class nobreak has line-wrapping happen between every letter.

.nobreak { word-break: break-all; }

Code colours

Add my terminal's code colours as variables. Maybe I'll change this to a more common terminal theme like Monokai or something at some point, but for now it's just my personal theme, which is derived from Tomorrow Night Eighties.

Also, adding the .terminal class to a fake code block as [[div class="code terminal"]] gives it a sort of pseudo-terminal look with a dark background. Doesn't work with [[code]], because Wikidot inserts a bunch of syntax highlighting that you can't change yourself without a bunch of CSS. Use it for non-[[code]] code snippets only.

Quick tool to colourise a 'standard' Wikidot component usage example with the above vars: link

:root {
  --c-bg: #393939;
  --c-syntax: #e0e0e0;
  --c-comment: #999999;
  --c-error: #f2777a;
  --c-value: #f99157;
  --c-symbol: #ffcc66;
  --c-string: #99cc99;
  --c-operator: #66cccc;
  --c-builtin: #70a7df;
  --c-keyword: #cc99cc;
}
 
.terminal, .terminal > .code {
  color: var(--c-syntax);
  background: var(--c-bg);
  border: 0.4rem solid var(--c-comment);
  border-radius: 1rem;
}

Debug mode

Draw lines around anything inside .debug-mode. The colour of the lines is red but defers to CSS variable --debug-colour.

You can also add div.debug-info.over and div.debug-info.under inside an element to annotate the debug boxes — though you'll need to make sure to leave enough vertical space that the annotation doesn't overlap the thing above or below it.

…like this!

.debug-mode, .debug-mode *, .debug-mode *::before, .debug-mode *::after {
  outline: 1px solid var(--debug-colour, red);
  position: relative;
}
.debug-info {
  position: absolute;
  left: 50%;
  transform: translateX(-50%);
  font-family: 'Fira Code', monospace;
  font-size: 1rem;
  white-space: nowrap;
}
.debug-info.over { top: -2.5rem; }
.debug-info.under { bottom: -2.5rem; }
.debug-info p { margin: 0; }

いったい何がこの世界を狂わせたのか、それともはじめからこうだったのか？ アノマリーが管理しきれぬまでに増殖したきっかけになった特異点は突き止められるのか？

Is there anything wrong with the world at all, or has it always been this way? Can we point to one singular event that caused the anomalies to multiply out of control?

火をつけたのは誰なのか？

Who started the fire?

何も変わってはいない。そうだ、世界はずっとこうだったのだろう。これまで読んできた報告書、“錬金術”の文献、古いミーム学の書物、預言、儀式、手順、議事録──同じ出来事を述べながら、どれも互いに食い違っていた。何度も記録を読み返し、それでもその日何が変わったのかを突き止めることはできなかった。繰り返すが、もし何か変わっていたのだとすればの話だ。

Nothing has changed. No, I think it’s always been this way. I’ve read the reports, “alchemical” texts, old memetic studies, prophecies, rituals, recipes, and meetings of minutes. Contradictory ephemera each describing the same event. I’ve read and reread accounts and I can’t quite put my finger on what changed that day. Again, if anything changed at all.

きっと、どれも迷信に過ぎないのだ。GOCの前身たるイニシアチブは、当時の他のオカルト組織同様に権威を重んじていた。高貴な御友人方に印象づけるために、熟練した魔術師なのだと言ったのだろう。地位を掴むために、神と交信しただとか、万能薬を完成させただとか言ったのだ。こういった話はどれも疑ってかかるべきである。

I’m convinced it’s all just superstition. The precursors to the GOC, the Initiative, like other such occult societies during the time were mostly interested in putting on airs. You would say you were a skilled soothsayer to impress your noble friends. You would say you communed with god, or perfected a curative tincture to gain status. These things should all be read with a grain of salt.

異常がその日まで存在しなかったという証拠はあるのか？ どうにかそれを証明できていれば、我々は一線を引けていたのかもしれない。
Is there evidence that no anomaly has ever existed before that day? If that could be proven somehow, maybe we would have a line.

この頃、空の上には行き先知れずの渡り鳥の羽が舞い踊り、水辺に降りればその頭は束の間見えなくなる。

Today the sky above is wispy with feathers of birds migrating to nowhere, and down by the water their heads become temporarily dislodged.

地平はノイズがかった紫の影で覆われ、すべてが見渡せる。何もかもが現実で原物だった。何もかもが地獄へ堕ちるなか、この岩は私にとってのファラデーケージのようである。私はもはや私すらわからない。

The horizon is shaded in static purple, and I can see it all. Everything is real and original. Everything has gone to hell, and this rock seems to be my faraday cage. I can't be sure of what I am anymore.

私は未だ恐れることのできる唯一の存在なのであろうか？ 私が特異点を待つ唯一の存在なのかもしれない。他に気にする者はいない。ネズミは長い間増え続けたが、先はもう長くはない。

Am I the only one still capable of being afraid? I could be the only one waiting for the singularity. Everything else is indifferent. The rats have been multiplying for ages, but it shouldn't be long now.

時は3053年、私は全てを見てきた。

The year is 3053, and I've seen it all.

終わりを始めよう。

Let's begin at the end.

---

The End

A Small Bundle Of Letters
_Unknown

Worry, Worry
₁₈₆₇

The Four Arcana
_Irrelevant

Ambrose Vienna: An Out-of-Mind Experience
_{December 4th, 2018}

The Information Age

Changes at Site-18
_{July 28th, 1976}

Senescence, Consumption, Persecution
_{August 14th, 2051 - September 9th, 2077}

Anno Domino
_{December 1st, 2081}

SCP-5882
_{June 11th, 2082}

Himinbjörg
_{February 2nd, 2087}

The Last Era

A Terrible Thing
_{Forgotten Cycles}

The Serpent Gambit
_{December 21st, 2090}

Hopping Through Worlds
_{December 31st, 2099}

Another Lost Legacy
_{September 13th, 2112}

The Last Meeting
_{November 19th, 2117}

+ Old Kansas Sector...

Episode 1	Farmhouse
Episode 2	Tabloid
Episode 3	Walking Sticks
Episode 4	Grammie Knows
Episode 5	Sinopec Dark
Episode 6	The SCP Foundation
Episode 7	The Stairwell
Episode 8	Gersha
Episode 9	Retribution
Episode 10	Envelope Logistics®
Episode 11	Intermission
Episode 12	Laugh is Okay
Episode 13	I Was a Teenage Reality Bender
Episode 14	Bobble the President
Episode 15	Down Home Daeva
Episode 16	The Clockwork Virus

_{August, 2119}

The Age of Rot

+ Spectrum...

Part One	The Paintings Burn a Crimson Red
Part Two	The Desert Sun Shines a Cadmium Yellow
Part Three	The Hills of Adelanto are Covered in a Cinnabar Green
Part Four	The Library Cries in Ultramarine Blue
Part Five	The Final Days Are Lit in Hues of Mauve

_{October, 2142}

How Tightly The Coils Squeeze
_{September 18th, 2160}

A Eulogic Elegy For The Dreams
_{October 10th, 2167}

What Lurks in the Dark?
_{All Hallow's Eve, 2213}

The Rat's Nest

Nonpareil
_{Kali Yuga, 30XXXXX}

1
_{T-Minus X}

- - - - - - - - -

+ 執筆ガイド/Contributor's Guide

『ラッツネスト』¹カノンでは、我々の現実を繋ぎ止めていた存在、LTE 0913 Ex Machinaの破壊による影響を描く。この結果として、SCPオブジェクトが誕生・増加し、現実がとても緩やかながらに崩壊していくとともに、異常が手に負えないまでに増殖していく。

The Rat's Nest canon covers the effects of the destruction of LTE 0913 Ex Machina, a keystone of our reality. The results are the creation and increasing occurrence of SCP objects, and a very gradual reality failure as anomalies multiply out of control.

このユニバースには、一般的な財団カノンとは異なる点がいくつか存在する。これはまあ、以下のことについてよくネタにされる“ドレッドロード”型のカノンだ。

There are a few different aspects about this universe that are different from typical Foundation canon. This is more or less the "Dreadlords" canon that is often joked about:

1. GOCは自らの神殺しのせいでアノマリーを生み出してしまった。彼らはこのことを認知しており、必死に世界を元に戻そうとしている。
2. “管理者”と財団の最高指導者たちは異常存在であり、我々の知る“正常”の側に立っていない。彼らは異常なオブジェクトをかき集め、それらが破壊されることを嫌う。財団職員の大多数がこのことに気づいておらず、心から自分たちは大いなる善に仕えているのだと信じている。
3. カオス・インサージェンシーは、財団の本性を知った者たちによってWWII頃に創設された分派組織だ。財団の影響力のせいで彼らは悪魔に仕立て上げられ、狩られている。財団に与する世界で生き残るために、インサージェンシーは時に悪行を働かねばならない。

1. The GOC are responsible for anomalies as a result of their killing of God. They are aware of this and desperately want to fix things.
2. The Administrator and individuals in the Foundation's top level leadership are anomalies themselves and not on the side of normalcy as we know it. They gather anomalous objects and are loathe to destroy them. The vast majority of Foundation assets are unaware of this and truly believe they are working for a greater good.
3. The Chaos Insurgency is a splinter group that formed around WWII after founding members were made aware of the Foundation's true nature. Due to the Foundation's influence they are demonized and hunted. The Insurgency must sometimes do terrible things in order to survive in a world sympathetic to the Foundation.

---

終焉: タイムラインのこのパートでは、主にLTE 0913 Ex Machinaの破壊、性質、破壊された理由、ならびにラッツネストカノンにおけるGOCの前身組織について掘り下げる。

The End: This part of the timeline should primarily explore the destruction of LTE 0913 Ex Machina, the nature of it, reasons for its destruction, and the ancient origins of the GOC in respect to the Rat's Nest canon.

知の時代: 人類が支配していた最後の時代。

The Information Age: The last dominant age of humanity.

終末期: 人類が存続をかけて足掻く中間期。いくつかの小規模分明はまだ比較的人が暮らせる状態だが、他は酷い混沌に陥っている。

The Last Era: The in-between age where humans are struggling to exist. Some pockets of civilization are still relatively habitable, while others are quite chaotic.

崩壊の時代: 普通の人類、植物、動物は極めて希少なものとなった時代。超常的な生物や物品が新たな正常となっている。

The Age of Rot: A time where mundane humans, flora, and fauna are extremely rare. Extranormal creatures and objects are the norm.

ラッツネスト: 完全な混沌、宇宙の崩壊。現実は我々のそれと異なるか、あるいはかけ離れたものと化している。これが“世界の終わり”だとは限らないが、我々の考える世界の終わりではあるだろう。

The Rat's Nest: Complete chaos, an abortion of the universe. A reality that is different than our own, or otherwise unrecognizable. This is not necessarily "the end of the world", rather, the end of the world as we know it.

---

注記: ラッツネストに正典カノンは無いし、そもそもシリーズでもない。物語に絶対的な結末や発端は存在していないし、wikiのほとんどと同じように、これは単なる執筆のためのプラットフォームに過ぎない。カノンに記事を投稿するうえで、特別な考慮や許可が必要になることはない。

Additional Note: There is no canon in the Rat's Nest, it is not a series in itself. There is no definitive end or beginning to the story, it's simply a platform to write on, much like the wiki at large is. There are no special considerations or permissions needed to submit articles to the canon.

---

http://drkasugai.wikidot.com/rat-s-nest-hub
http://scp-jp.wikidot.com/rat-s-nest-hub
https://scp-wiki.wikidot.com/rat-s-nest-hub

Footnotes

1. 訳注: Rat's Nestは直訳で「ネズミの巣」であるが、ボサボサな頭髪やグチャグチャに散らかった部屋などを意味する表現としても使われる。